The Sunday Interview: The Soundtrack of Christian Nationalism
What if one of the most important political symbols in American evangelicalism isn't a campaign slogan, a policy platform, or a charismatic preacher, but a worship song?
In this episode of the Straight White American Jesus Sunday Interview, host Leah Payne speaks with Religion News Service journalist Bob Smietana about his reporting on the unexpected political life of Chris Tomlin's worship anthem "How Great Is Our God." Over the past several years, the song has appeared everywhere from the Capitol Riots to ReAwaken America rallies and Sean Feucht events, to the memorial service for Charlie Kirk. Yet unlike overtly political songs such as "God Bless the USA," "How Great Is Our God" contains no explicit political message at all.
So why has it become such a powerful soundtrack for conservative Christian activism?
Drawing on his reporting for NPR’s All Things Considered, and Payne’s God Gave Rock and Roll to You: a History of Contemporary Christian Music, Smietana and Payne discuss the rise of “Christian Nashville-ism," the fusion of the worship music industry, suburban evangelical culture, celebrity influence, and political identity. Nashville's Christian music machine has produced a soundtrack so ubiquitous that it now functions as a kind of sacred common language across American Christianity. In an era of political polarization, worship songs provide emotional resonance, spiritual legitimacy, and a sense of collective identity that can easily travel into political spaces.
Together, Payne and Smietana explore how contemporary worship music became one of the most influential forms of religious formation in American life. They discuss the rise of Chris Tomlin and the Passion movement, the mainstreaming of charismatic worship practices, the growing overlap between worship culture and conservative politics, and the role of suburban megachurches in shaping modern evangelical identity.
The conversation also examines how Christian nationalism often operates less through overt ideology than through atmosphere, familiarity, nostalgia, and music. Why do songs matter so much in political movements? What happens when worship becomes a form of cultural power? And why has a seemingly apolitical worship song become one of the defining sounds of conservative evangelical America?
In this episode:
Why "How Great Is Our God" has become a fixture at conservative political events
The relationship between worship music and conservative activism
Nashville's role as a center of evangelical cultural power
Chris Tomlin, the Passion movement, and the mainstreaming of charismatic worship
How worship music became the dominant language of American Protestantism
Charlie Kirk, Sean Feucht, and the politics of sacred music
The rise of suburban megachurch culture and its political influence
Why contemporary worship songs often succeed where political slogans fail
"Comfort food Christian nationalism" and the power of familiarity
The overlap between MAGA politics, evangelical identity, and worship culture
Links:
Bob Smietana's NPR article: “Why an Apolitical Worship Song Has Become Popular With Conservative Activists”
Leah Payne’s God Gave Rock and Roll to You: a History of Contemporary Christian Music
Bob Smietana at Religion News Service
Bob Smietana's book, Reorganized Religion: The Reshaping of the American Church and Why It Matters:
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